I Can Feel It Coming

Air is visible only in the things that it moves: in wafting curtains, billowing meadows, or swaying trees. Supported by Susanna Gartmayer’s bass clarinet compositions, Karin Fisslthaler composes an abstract experience from dynamic images that make the wind visible, audible, and perceptible in its essence—as a warm wave, as swirling chaos, as icy, whistling storm.